What Paglen showed is a sampling of the images and labels that AI machines are fed in order to begin to visually make sense of the world. Opening: October 16, 2019. We have that on this kind of stateside and just horrifying politics side, but also in terms of just the everyday tools that we use. How are you doing, Kate? Dallas Contemporary Presents "Paolo Roversi: Birds", Sam Gilliam's Latest: A Roundtable Conversation, Barbican Presents "Jean Dubuffet: Brutal Beauty", Elmgreen & Dragset's "The Hive" at the Moynihan Train Hall. And I think anybody who thinks that they can decide what images mean is incredibly hubristic, because I can tell you that the meaning of an image like flowers that are blooming right now means something really different this spring than it meant last spring. What we've been seeing with the Trump administration is that they've been inviting companies like Palantir, who I think are doing deeply problematic projects, particularly at the border and particularly tracing and deporting immigrants in the US, and inviting them in to help us design a system to deal with Covid-19. KC: Tell us a little bit about the shows that you had coming up that are now maybe not happening. It’s probably an ongoing thing for all of us — and a tricky balance. But he's this really, really talented guy and just can tell you everything about all the different techniques for 19th-century printings. I love that somebody in the comments, by the way, just said that emojis are the latest kind of iteration of Ekman's six standard emotions. I mean, I'm thinking of the work of people like Amy Kapczynski, who really has been doing extraordinary work in the field of public health. KC: And I couldn't agree more. How are you doing? When you look at this list, what is extraordinary about it is that it's hard to find any university that isn't. It's often hilarious, but also often just terrifying when you think about the implications of it. To see that rent strikes are working is really fantastic. I used to not take care of myself so well, but now I do.”, “Right now we are 40 people working in Osteria Francescana, for 28 or 30 covers a night. And the show was all the full-size models of these different reflective satellites that I've built over there. So, we actually used this training set in our show in Milan at the Fondozione Prada. And I think there is that sense of not knowing what's going to happen. We have a title now. KC: I think that's right. KC: They do, they really do. I mean, that was my experience of doing the Training Humans show. That’s what the iterative process of design is about. And I'm like ‘what is this,’ you know? I'm pasting a little comment in here so everybody will know the name of this conversation. You have to respect people, be a good person. I look forward to being 50 and I’m hoping that I’m as confident as some of the people that I look up to.”, “When I was younger I had these moments where I was surprising myself with my spontaneity, and I thought, ‘This is what you should be chasing.’ The cerebral part of acting and the perfectionism can be exhausting, but the spontaneity can be very joyful.”, “I think the best you can do for yourself is let your subconscious drive you, instead of doing things because you want to achieve some sort of glory.”, “I think you always have to have risk when you’re creating a piece of art. And if you're listening right now, you could look it up on the internet, you'll be able to see a big visualization and an essay. And my film career took off once I came out.”, “Writing itself should be so extreme, so wild, and so much fun that it doesn’t matter whether or not you ever sell the book.”, “When you are at a crossroads, mistakes can help you decide the right way forward, and I think I really grew when I understood that I need to accept my mistakes.”, “It all comes down to realizing how good you are and really consciously working with that. Während der Diskussion unterhielten wir uns per WhatsApp über die Fragen, die diskutiert wurden, schickten Links hin und her und fanden es vielleicht etwas zu interessant, einmal in die Wohnung, vielleicht war es auch das Studio, von Trevor Paglen schauen zu können. In the studio, we've built a lot of software to visualize what different computer vision algorithms are doing. And now, of course, France is in a recession and you wouldn't be able to fly there if you wanted to. Without that, I don’t understand really what the drive is to succeed. In a way, every project fails every day until it succeeds! But other than that, it's the strangest feeling being in New York and obviously it's a really, really hard time for the city. They're also creating a lot of mutual aid projects right now, as well as stress-testing the surveillance systems and asking a lot of critical questions about how people are being surveilled. And because images as so multi-chromatic, and can mean so many things, it's an extraordinary kind of hubris that we have systems that they claim can detect not just how we're feeling, but also our worth as employees, or as artists or, you know, you name it. Of course , here in New York we're just six weeks behind them. So that's good and that's sustainable for longer than it would have been otherwise. You’ve had shows canceled—the whole year is in doubt now—but you also employ a lot of people. Its history better browsing experience but then you just do it, you know, I think that 's I... 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